Frame by frame ,the transformations of colorful graphic patterns are embroidered on a black ribbon,which roughly represent the evolution of pitch, volume and phoneme. The tuning and tonality are left undefined, so the singers are obliged to react to one another’s sound in order to find their own role in the forming of an unknown harmony.

The original “Calligraphy” is designed for six interpreters , each of the interpreter is assigned to a specific color of scores, which corresponds also to their own relative voice type, ranked in ascending order from the lowest (bass) to the highest(sophrano) as follows: Blue, Brown, Purple, Magenta, Red and Orange.

“Calligraphy” original score and tapes

“Calligraphy” Rehearsed by MUSARC

“Calligraphy” rehearsed by audiences ,Centre Pompidou,Cosmopolis ,2019

Sound Calligraphy, brodery version 2019

Sound Calligraphy in platform10, interpreted by l’Académie Vocale de Suisse Romande,2023

Listen to “Calligraphy” rehearsal recording 2018

Video Manuel for Human Dynamic Coordination Models recording 2018 –
Performers：陳欣豪、廖文瑞、李宜謹、黃緣文、李銘偉、游博能
Video Production : 服裝：蔡奉瑾/助理:白永馨/攝影、燈光‭:‬廖敬堯/錄音：羅頌策/影像製作:‬陳芯宜/製作‭人:陳芯宜‬、何柏勳