AN ANTHOLOGY OF CHINESE ELECTRONIC MUSIC (1992-2008)

from Mainland China(Beijing, Shanghai, Chengdu, Guilin, Hangzhou, Shenzhen, Guangzhou, Fuzhou, Shanxi, Harbin)Hong Kong – Taiwan – Singapore – Malaysia.

This anthology features 48 artists from within the Chinese area of influence. It is designedas a journey through what is currently happening underground, under extremely diverse forms.It also looks at the recent past and the key role of pioneers like Wang Fan, Dajuin Yao,and also Hong Kong-based Li Chin Sung aka Dickson Dee who, for almost two decades, has beenspreading the word about Experimental music in Mainland China. This album was curated byDickson Dee on Guy Marc Hinant’s invitation. It includes an enlightening presentation on theshort yet intense advent and history of the Chinese noise explosion,co-written by ZbigniewKarkowski and Yan Jun.
（这一段的翻译）：
中国大陆（北京，上海，成都，桂林，杭州，深圳，广州，福州，山西，哈尔滨）–香港–台湾–新加坡–马来西亚。这张合辑的特别之处在于被收录到合辑中的这48位艺术家的创作，都不同程度地受到中国本土环境与文化的影响与渗透。基于这样的原因，从整张合辑的意义上说，它已经被绘制成一幅展现当下正在发声的，在极端多元的介质中不断变化着的地下声音图景。
毫无疑问，它将带领你穿越地下云雨，聆听无限惊喜，让身体各处自由开启一趟全新的旅程。
这张合辑也同样着眼于不久以前的那些先锋开拓者们：王凡，姚大钧，以及在至少二十年间，不断致力于传播中国实验音乐，驻扎在香港的李劲松（dickson dee)，他也受Guy Marc Hinant之邀来协助这张合辑。同时也包含了Zbigniew karkowski和颜峻两位的共同撰文，颇具启发性地预见和详述了一切尚未到来的激情与紧张，以及中国噪音艺术迸发前进的历史。